All of these things came together to allow us to compose emotionally intense, intentionally punishing, and deeply introspective music at a level that would be appropriate only for a long-form feature such as this. Because of the mature nature of the subject matter and the truly cinematic quality of the storytelling we approached the score as we would approach scoring a live-action psychological action thriller. This story was very intimate it was really about the relationship between Batman and Joker, their similarities and differences. Michael McCuistion: THE KILLING JOKE was truly a different kind of story than we ever encountered for the animated Batman shows we’d scored previously. Their performance are so strong that their vocal performances almost become musical phrases, phrases that then we as composers comment on, as well as surround with musical atmosphere. Composing the music was a truly rewarding experience, as we had the brilliant voice actors in our ears throughout the process. It is a film for adults, absolutely not something young children should watch. Not only is it a film painted with subtleties that reflect the deeply complex Joker and an equally complex Batman, but it also makes us, the observer, question our own opinions about how and why we would ever consider liking the Joker. Lolita Ritmanis: THE KILLING JOKE is a deeply psychological film. How did this film’s perspective dictate how you would approach its music, and have you treated the animated film differently that you’ve done in previous BATMAN iterations? Q: THE KILLING JOKE was a particularly cynical treatment of the character in its original graphic presentation.
SPOGLIATI, PROTESTA, UCCIDI! (Morricone/Quartet), THE WELTS (Konarski/Caldera) Jones/Varèse Sarabande), SENSORIA (Ilfman/ScreamWork7s), NOW YOU SEE ME 2 (Tyler/Varèse), ORPHANS & KINGDOMS (Rotondo), THE MEMORY OF FISH (Talmi/Konsonant ), NERVE (Simonsen/Lakeshore), ANTHROPOID (Foster/Lakeshore), ASSAULT ON A QUEEN (Duke Ellington/Dragon’s Domain), THE AWAKENING (Bolling/Quartet), THE BANNER SAGA 2 (Wintory/T-65b), BEYOND (Barnhoorn), The Chamber Suites (Cmiral/MovieScore Media), DARK WAVES (Cimini/Kronos), GHOSTBUSTERS (Shapiro/Sony), GODZILLA RESURGENCE (Sagisu/King), HALT AND CATCH FIRE (Haslinger/Lakeshore ), I.T.(Timothy Williams/Lakeshore), INDEPENDENCE DAY/RESURGENCE (Wander &Kloser/Sony), KATTENOOG (Hermy/Kronos), LOVE BETWEEN THE COVERS (Talmi/Konsonant), THE MAGNIFICENT SEVEN (Horner-Franglen/Sony),
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